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Salamanca director Chema de la Peña recalls in this feature documentary professionals early filmmakers like Fernando Colomo, Fernando Trueba, Imanol Uribe, Carmen Maura and Antonio Resines, protagonists of the so called 'New Spanish Cinema' in the 80s. His first films were produced between friends, her back to the industry. Rolled with minimal budget and with the sole intention of having fun ... And big surprise were critical and box office successes. And also true generational manifestos.

Fifty-seven is the number of net-makers working on the Basque Country's coastline, a traditional task the women still carry out as if time had stopped. They weave the nets non-stop with their salty hands, in silence. They form part of the sea and its mystery. A boat in distress breaks up the night, the beam from a lighthouse illuminates the entire scene, a seafarer has been sent off course by the thoughts of water, and hands dance and dance until they melt into the nets. 　　源自：https://zinebi.eus/en/listings/todo-lo-cubre-la-sal/

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Elías, wounded and lost in the mist, rows back to his island only to find that the flood has washed away everything and his home lies lonely. He will try to change but this is not enough for the water to wash his blood.

Just like in 1985, today Ignacio Agüero is back interrupting filmmakers during shooting, but not to ask what he did thirty years ago, but to find out what is purely cinematographic in what they film. These conversations are related to images in the director's personal archive, as if what is truly cinematographic was found among bits that were never made for the screen.

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James Franco's Sal chronicles the final hours of the life of actor Sal Mineo, one-time teen idol and star of the blockbuster films Rebel Without a Cause and Exodus.

On the Day of the Dead, a 10-year-old kid anxiously awaits a visit from his grandfather from the afterlife to finally meet him